Spoilers ahead: for the puzzle and the movies/games
This post assumes you've already solved the puzzle. It reveals all categories and their connections, and discusses plot details, endings, and spoilers for featured movies/games throughout.
Bright gives Will Smith a police partner who is also an orc, then treats the arrangement like one more problem at roll call. The movie has elves, magic wands, and paperwork energy. Fantasy never stood a chance against municipal procedure.
Movies: R.I.P.D. · Hellboy · Bright · Odd Thomas
R.I.P.D. hires dead officers to police souls. Hellboy works for the Bureau for Paranormal Research and Defense. Bright assigns two ordinary cops to a magical Los Angeles where an enchanted weapon becomes evidence with catastrophic consequences.
Odd Thomas is the freelance entry. His clairvoyance lets him see the dead and the creatures that gather before mass violence, so he investigates without the benefit of a badge or a pension plan.
Movies: 13 Hours · The Outpost · The Siege of Jadotville · Zulu
All four stories lock defenders into exposed positions while a larger force closes in. The tactical details differ, but the dramatic question stays painfully simple: can they hold until help comes, and is help actually coming?
Zulu depicts the 1879 defense of Rorke's Drift. The Siege of Jadotville moves to the Congo in 1961, while The Outpost reconstructs the Battle of Kamdesh. 13 Hours follows the security team responding to the 2012 attacks in Benghazi.
Movies: The Queen · Frost/Nixon · JFK · Thirteen Days
Frost/Nixon makes television the arena itself. A former president and an interviewer sit under studio lights, each trying to control what the public will remember. The microphone is polite. The stakes are not.
The Queen turns a delayed public response into the center of a constitutional drama. JFK obsesses over filmed evidence, especially the Zapruder film. Thirteen Days follows an administration trying to manage military danger and the message delivered beyond the room.
The connection is not merely politics. Each film asks who controls the visible record when an event becomes public history.
Movies: Bye Bye Love · Bye Bye Birdie · New York, New York · Hush...Hush, Sweet Charlotte
Read the titles aloud and they answer themselves. Bye, Bye. New York, New York. Hush, then hush again, because Bette Davis apparently required a second instruction.
Bye Bye Birdie began as a Broadway musical inspired by the public frenzy around Elvis Presley's Army induction. New York, New York paired Liza Minnelli and Robert De Niro, then produced a title song that escaped the film and found a second life with Frank Sinatra.
The satisfying part is how little outside knowledge the final group needs. Once the repetition appears, genre and decade become camouflage. The titles have already solved it twice.
The political-media row has the sharpest aftertaste: history is partly whatever survives the edit. Today's PixelLinkr puzzle has a kinder editing problem, unless your customized robot counts as foreign policy.